“Phone rings, door chimes, in comes… Company?” That refrain is one of Stephen Sondheim’s greatest earworms (second only perhaps to “Bobby, Bobby baby, Bobby bubi, Robby,” etc. in the same song). And, in the shaky touring production of Marianne Elliott’s inventive reimagining of the beloved musical, playing at the Kennedy Center through March 31, it presents more like a cautious question than a confident declaration.
Read MoreIf Bravo had been spinning off franchises in the 12th century BC, one can only imagine that Penelope would be the wine-soaked breakout star of the Real Housewives of Ithaca.
Read MorePlaywright Marshall Pailet was captivated by Private Jones’ story and dreamed for many years of telling a First World War story through a unique lens—the true story of Private Jones, a deaf, Welsh sniper. Melding dramatic moments with comedy, music, and innovative sound design, Private Jones seeks to replicate Jones’ experience theatrically for both the hearing and hard-of-hearing audience.
Read MoreWhether an indulgence of the market or a rebellion against it, Stefano Massini’s The Lehman Trilogy is undoubtedly a triumph. Since its translation into English by Mirella Cheeseman and its significant adaptation by playwright Ben Power, the play has carved out a generous space in the theater world, touring and transferring between theaters across Broadway, LA, and the West End for the past seven years.
Read MoreLonging for a life beyond their exile, three Cuban sisters deal with loss and hope in GALA Theatre's Las Hermanas Palacios (The Palacios Sisters). Inspired by Anton Chekhov's Three Sisters, this powerful production examines themes of longing and belonging in a vibrant 1980s Miami.
Read MorePublic Obscenities, written and directed by Shayok Misha Chowdhury was performed at Woolly Mammoth Theater until late this month.
Read MoreWatching the Shakespeare Theatre Company’s new production of William Shakespeare’s As You Like It, I kept leaning forward in my seat, grinning, as the Bard’s poetry …
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