Posts tagged DC
Reclaiming Power: Disability, Desire, and Resistance in Porgy and Bess

When someone mentions “opera,” what words come to mind? For many, old, white, pale, and stale would slip off the tongue. The Washington National Opera’s revival of George Gershwin’s Porgy and Bess, which ran last month, subverts this stereotypical conception.  The WNO’s Porgy and Bess is a love story of a drug-addicted woman in an abusive relationship who seeks refuge and romance with a destitute man who is physically disabled, set against the backdrop of Catfish Row, a lower-income Black-majority community in 1950s South Carolina.

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Broccoli City Festival 2024: Unity Through Music and Culture

The Broccoli City Festival 2024 ignited D.C. with unity and celebration during the final weekend of July. This year's event marked a significant upgrade as it moved to the city's newest sports venue, Audi Field, home of D.C. United.

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Miguel Milló's La Vida Entre Latidos at DC's Mexican Cultural Institute

Just opened in May at the Mexican Cultural Institute in Washington, DC, La Vida Entre Latidos, in collaboration with IBERO University, features the lush, high-definition photography anthological series of Mexican artist Miguel Milló (b. 1959). Best translated as “Life Between Heartbeats,” the show highlights strange and fragile figures that are the protagonists of the portraits.

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Reimagined 'Company' Offers a Modern Take on a Classic at the Kennedy Center

“Phone rings, door chimes, in comes… Company?” That refrain is one of Stephen Sondheim’s greatest earworms (second only perhaps to “Bobby, Bobby baby, Bobby bubi, Robby,” etc. in the same song). And, in the shaky touring production of Marianne Elliott’s inventive reimagining of the beloved musical, playing at the Kennedy Center through March 31, it presents more like a cautious question than a confident declaration.

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The Lehman Trilogy: A Bracing Sign of the Times

Whether an indulgence of the market or a rebellion against it, Stefano Massini’s The Lehman Trilogy is undoubtedly a triumph. Since its translation into English by Mirella Cheeseman and its significant adaptation by playwright Ben Power, the play has carved out a generous space in the theater world, touring and transferring between theaters across Broadway, LA, and the West End for the past seven years.

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