“I didn't see any Native theatre, but I saw Native people made fun of. And so what that does to your consciousness? There's just so much work that has to be done to remove that, before you can go forward, and celebrate, and have joy.”
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“I could go to Shakespeare rehearsal [as a kid],” Sayet told me, “but I couldn't go to Mohegan language class. There was no opportunity for me to learn my language, because it was something that society has said should be destroyed.”
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DCTRENDING announces the COVID Poetry and Art Project, working in partnership with Mike Maggio to share pandemic-themed poetry and art by local writers and artists, as COVID-19 unites us in a time of collective trauma.
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This is theatre for the age of the Corona Virus: it takes place in your home, or your car, or honestly any place with good phone reception. What makes Human Resources truly wild, and genuinely fun, is the fact that it’s not on Zoom. It takes place on the telephone.
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“One of the first steps to achieve equality is the recognition of women artists of the past. Knowing our past is the only way to build a better future for women artists and therefore it is crucial to acknowledge their work and raise awareness about them,” says French-born artist Laurence de Valmy.
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During the COVID crisis, artists and arts organizations need our support. In our new blog, learn how to support local arts, find innovative programs and online programming started up during quarantine, & discover local artists.
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Shipwreck, which starts out as a conventional drama about a group of old friends gathering together for a weekend, meanders its way from the mundane to the surreal. It wanders deliberately and just as deliberately leaves the viewer with more questions than answers.
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The Havel Project reminds us that the stubborn determination of the individual can undermine totalitarian systems, and that revolutions can be born of childlike imagination and whimsical fun.
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Right to Be Forgotten, a timely new play for the digital age written by Sharyn Rothstein and directed by Seema Sueko, is having its world premiere production at Arena Stage, in the Arlene and Robert Kogod Cradle.
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Arena Stage’s production of August Wilson’s Jitney, newly extended through October 27, 2019, is a tour de force. It’s moving.
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Walking through the National Museum of Women in the Arts’ new exhibition, The End: A Meditation on Death and Extinction, is a solemn, intimate experience.
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When you think of Abstract Expressionism of the 1940s and 1950s, a New York-centered, male-dominated movement comes to mind.
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